Compared are the cut Syndicated Version (UK Blu-ray by Fabulous Films / First Edition) and the uncut Original Version (German DVD by Universal). 7 cuts (= 314.8 sec resp. 5 min 14.8 sec) - 1 additional scene in the Syndicated Version (= 67.2 sec resp. 1 min 7.2 sec) - Length difference: 247.6 sec resp. 4 min 7.6 sec Please note: Minor differences such as missing credits, missing or different black screens etc.
- Knight Rider 2000 Full Movie Torrent
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Have not been listed in the following comparison. The focus is on the alteration made for reruns in syndication and that is it. Basically, the UK Blu-ray is a highly recommendable release even though some people complain about the abscene of the TV movie 'Knight Rider 2000' because it is available as bonus of the DVD release. The problem is that this was originally another pilot for second Knight Rider series that never saw the light of day.
So technically, the movie is not part of the original Knight Rider from 1982. However, definately worth criticizing is the fact that the Blu-ray set only contains the shorter Syndicated Versions of all the two-part episodes which have been cut to a length of approx.
45 minutes (Blu-ray / NTSC) in order to fit in the slot. But at least one has the chance to get the discs with the uncut episodes via Fabulous Films. One can either send the discs with the Syndicated Versions and get a free replacement or one can keep the old discs and get the ones with the uncut episodes for a small fee (payment via Paypal). Either way, the new discs then will be shipped to your address. According to Fabulous Films, the first batch with the shorter episodes is completely sold out. But of course, there is still a slight chance that one gets a copy of those because the vendor still has some in stock. Last but not least, a few words about the Syndicated Versions: Admittedly, they are still OK to watch but fans will realize that scenes are missing.
The huge exception here is the pilot 'Knight of the Phoenix'. While the alterations of the second part of the pilot are being kept within bounds, they did a real number on the first part of the pilot. Including the opening, 'Knight of the Phoenix Part 1' has a total length of approx. 3.5 minutes (!) and after that, the second part already begins. Basically, everything is missing. If one is not familiar with the show or the story of the pilot, it is incredibly hard to follow resp.
I would say it is almost impossible. This is also the reason why the Syndicated Version of the pilot only consists of one single episode while the other two-part episodes still consist of two episodes each. Considering that there are only 3.5 minutes left of the first part of the pilot, this is not a surprise though. Time index refers to Syndicated Version (UK Blu-ray) – Uncut Version (German DVD in PAL). Additional Scene Syndicated Version 03:37 / 48:41 Right at the beginning, the Syndicated Version contains additional footage. For starters, the exterior shot of the house is a little longer.
Then several additional shots: A car is approaching the property and stops right in front of the house. Please note: Neither the uncut German DVD by Universal (used for this comparison) nor the UK Blu-ray (uncut new edition) by Fabulous Films contain that scene. I really can't say how it ended up in the Syndicated Version. Syndicated Version 67.2 sec resp. 1 min 7.2 sec longer 07:45 / 51:35 Missing scene with Christina and phony Bergstrom at the hotel. Christina (on the phone): 'I wanna speak to Michael Knight.
Eh, please tell him it's important. Well, do you know where he is? I've got to talk to him.'
All of a sudden, phony Bergstrom shows up which startles Christina a little. Bergstrom: 'Christina?' She puts away the phone. Christina: 'You startled me. I thought you were going out.' Bergstrom: 'I was. But then I realized how little time we have together.
They sit on the bed. Bergstrom: 'Christina, is something bothering you?'
Christina: 'No, really, I'm fine.' Bergstrom: 'If something is bothering you, you can talk to me. After all, we are family. And there is no closer bond than that. If you can't trust family, then who can you trust?' Christina nods.
55.9 sec 09:42 / 54:25 The footage of Adrianne dolling up is missing. 33.5 sec 12:12 / 57:21 In the Syndicated Version, the scene ends with Adrianne kissing Michael. In the Uncut Version, K.I.T.T. Is keeping an eye on Michael and he hears everything that is going on. Adrianne: 'That's nice for a start.'
K.I.T.T.: 'Goodness gracious.' Karl enters the garage and he is prepared and highly motivated to strip K.I.T.T. Karl: 'Good evening, my friend. My name's Karl. I hear you're a tough nut to crack. Well, let me tell you, I'm a tough nutcracker.' Karl tries to open the door but he fails, of course.
Karl: 'So that's the way it's gonna be. Alright, have it your own way. But let me warn you: I will strip your defenses one by one and in the end, I will transplant your central processing unit to Goliath.' 49.2 sec 16:04 / 01:01:53 Adriannes fight with Garthe is longer. Garthe: '(You give yourself way too much credit, don't you?
I would have gotten out of that prison without you, one way or another.) I had a promise to keep.' Adrianne: 'What? Your revenge against Michael Knight? It always comes back to him, doesn't it?'
Garthe: 'My revenge is my business, not yours.' Adrianne: 'Your hate for him is eating away inside of you. It makes you weak. You disgust me.' Adrianne intends to leave but Garthe grabs her arm. Garthe: 'And your lust for him disgusts me.' Adrianne slaps Garthe who slaps her back.
Then Garthe grabs her by the hair. Garthe: 'It's about time you understood that my life does not revolve around you. It was my will that forced you to break me out of prison. It was my brilliance tha resurrected Goliath and it was my planning that captured Michael Knight.' 39.6 sec 21:49 / 01:08:04 The Syndicated Version lacks the elevator scene with Christina and phony Bergstrom. Bergstrom: 'Surely, you can do better than that.'
Christina: 'Better than what?' Bergstrom: 'Your face is frozen. You look like a statue.' Christina: 'Unfortunately, my major was in theater arts. I can't smile on cue.'
Bergstrom: 'No. But you can at least look pleasant. For your uncle's sake.' The elevator door opens.
Bergstrom grabs Christina by the arm and they together. 31.5 sec 23:17 / 01:10:00 Michael's conversation with K.I.T.T. (Michael: 'K.I.T.T., monitor the transmissions from the mansion, pal. When they make their move with Klaus, we wanna make sure we're there for the going-away party.'
) K.I.T.T.: 'In this case, I believe it's called party-crashing.' Michael (to Christina): 'You OK?
You're awful quiet.' Christina: 'I'm sorry. You know, I haven't even thanked you for rescuing me from that eh that' K.I.T.T. Finishes the sentence for Christina: 'masquerading misanthropic Klaus clone.'
Christina: 'Exactly.' Michael: 'You don't have to thank me. I just wanted to make sure you'd be available for dinner after this is all over.' Christina: ' If it's over. I'm just so afraid I won't be seeing Uncle Klaus again.'
Michael: 'You will, Christina. If it's humanly possible, I promise you, you will.' 30.9 sec 42:34 / 01:28:55 Devon complains about the damage at FLAG headquarters.
Devon: 'He shot it. It's gone forever. My Ming Statue. My priceless Ming Statue. For what purpose?'
April: 'Well, I think Garthe hated anything beautiful. Anything he couldn't possess.
Well, I don't know, Devon. Maybe this is a blessing in disguise. Now we can redecorate?' But Devon hates the idea: 'Redecorate? What is wrong with the way it was?'
April remains silent. Michael enters the room and he has a lot of suggestions how to redecorate the place. Devon still hates it. Michael: 'Alright, Devon. Another one of your wild toga parties?' Devon: 'That is not very funny, Michael.'
Michael: 'Oh, well, I always thought the decor in here was a little well, dated.' Devon: 'Dated? What do you mean dated?' Michael: 'Well, you know, I think the Foundation can use a new image, you know. Maybe brighten up the walls here and eh yeah, we could put a little skylight in here.' Devon has had enough: 'Absolutely not!
No skylight, no changed images. And if you know what is good for you' Michael knows he better leave now. While running out, he yells: 'Just a suggestion!' When Devon wants to shut the door, Michael has another one of his brilliant ideas. Michael: 'I know.
![Knight Knight](/uploads/1/2/3/9/123919456/861212471.jpg)
How about a hot tub in the corner?' Devon shuts the door, April laughs.
Obviously, Devon is still angry so April simply turns away in silence. Devon keeps walking and stombles. Of course, April has seen Devon little stunt but she remains silent. When Devon sees what is left of his valuable Ming Statue on the desk, he sighs. 74.2 sec resp. 1 min 14.2 sec.
I recently got the chance to acquire a non telecine 35mm film copy of Knight Rider 2000! I have access to very high end professional hardware & software to update the footage into 16:9 Blu Ray HD format. Here are some comparisons screen captures: Original 1991 NBC on air quality (video telecine) Original 35mm film HD transfer and color adjustment (Notice the film grain) Film grain removed and cleaned Details in film density brought out of the blacks Final 16:9 aspect ratio conversion for HD TVs and final color correction Final density correction I'll post a video later today to compare the original vs my new blu ray version. Original Blu Ray Original Blu Ray Original Blu Ray Original 4:3 format telecine Blu Ray 16:9 format Original 4:3 format telecine Blu Ray 16:9 format Original 4:3 format telecine Blu Ray 16:9 format. Very cool project, as usual Taoworm! As a film guy tho - I gotta ask what you're doing with the aspect ratio? Since it was shot for TV they shot for 4:3 format, and you're adjusting the 35mm print to be in a 16:9 format by distorting the frame - all the circles (tires, kitt's 'eye') are now ovals for instance.
Knight Rider 2000 Full Movie Torrent
Why not leave it at 4:3? I'd argue to not over process it, keep it as true to the source as possible. See how TNT in Europe is airing Knight Rider in HD - they're adding bars on the side, but at least the image is much higher res ( = better detail ). Neps wrote:Very cool project, as usual Taoworm! As a film guy tho - I gotta ask what you're doing with the aspect ratio?
Since it was shot for TV they shot for 4:3 format, and you're adjusting the 35mm print to be in a 16:9 format by distorting the frame - all the circles (tires, kitt's 'eye') are now ovals for instance. You bring up great points about the aspect ratio. I thought the same thing before I started work on updating this film, but when you watch the footage in 16:9 your brain considers everything to be normal. It really doesn't stretch the image to a odd degree perceptively. I watched over 30 minutes of footage today with some other folks who couldn't even tell that it was originally shot in 4:3 format. The black bars are more annoying than anything else to me, that's why I made it widescreen. (lol) (Also most everyone has a widescreen TV now a days, so it just didn't make sense to keep it 4:3 format if my goal was to bring the footage into the 21st century and future proof the film.
On your advice though I will do a 4:3 format as well for those who don't like the widescreen version. Here's an example of what I mean: I did some test footage on Star Trek to see if it could be done to KR2000. It's the DS9 episode 'Trials And Tribble-ations'.
I cleaned up the footage, color and density of the telecine video. The first part of the video is the original clip. The later half is my version in 16:9 aspect ratio.
When you see it in widescreen nothing looks off that your brain can tell. (At least to me) which is why I went ahead and did the same for KR2000. My DS9 example can be found here: When CBS up-converted the DS9 episode for HD for TOS 2nd season Blu ray it was ass. The fans thought it looked like worse than the DS9 DVD telecine version. So I took the telecine version and sought to do a better job up-converting the DS9 telecine than CBS digital. Thus the clip above.
I am making two versions. A 4:3 HD blu ray version and a 16:9 remastered blu ray version.
The Remastered version has the film grain cleaned and sound and music completely redone from scratch in stereo. Some of the effects will be redone like the windshield HUD not being black when it went to the camera angle of Susan in the passenger side seat in the police van chase. Knight Rider 2000 Remastered 1080p (New sound effects haven't been included yet.) The original DVD footage was magenta as hell with muted colors. (Like someone put sunglasses over the camera lens.) Which means the film stock quality was poorly chosen originally. (Bad director of photography.) The remastered clip is so full of info after lossless AVI conversion the 1 minute 4 second clip was 9.5 GIGS!
It was then flawlessly compressed to H.264.mp4 format at 12000mbs for youtube upload. Foreign subtitles has been placed on all footage on youtube to avoid copyright takedowns. KFCreator wrote:I noticed though that the contrast and brightness seem maybe a bit too high, it's especially noticeable in the tower scene when Shawn is outside in the sun.
Some areas of her face seemed to be losing a bit of detail as a result. I agree KFCreator. Youtube fudged up my color, brightness, and contrast when I uploaded it to youtube. I think youtube has some kind of built in compensator.
I am adjusting for that now. I will have a new modified clip for youtube here in a couple of hours. I have to do a separate conversion for youtube if I want everything to match the torrent I will put up. Vray 3 for 3ds max 2014 64 bit free download with crack. (sigh) Another problem with KR2000 is how much film grain was exposed when I made everything high def.
Distracting.) I removed the film grain from 1 clip and left it in another. My next post will have links to both clips to get everyone's opinion here before I make the final changes.
Awesome job, Taoworm. Your work seems to be that perfect 'sweet spot' between the VHS quality of the original 1991 airing and the color desaturated overly grainy DVD copy. I actually had always preferred my digitized copy of the original airing since there was no film grain and richer color. Let's not forget that most HDTVs have the option to wide zoom the picture to achieve the 16:9 format. I generally do that when I'm watching the original series DVDs as I can't stand the black bars on the sides either. Regarding the 16:9 vs 4:3 aspect ratios.
I'm a strong advocate of 16:9 video content. Even when widescreen started being used on British TV channels in the late 1990's, about 10 years before high definition TV started over here, I've always insisted watching widescreen programs in 16:9, even 'letterboxed' on the 4:3 TV set we had at the time. I really hated seeing widescreen TV programs and films forcibly zoomed and cropped with about 20% of the visuals missing at either side. It just looks awful, especially with films.
In contrast, if I'm watching any 4:3 content (including classic KR) on a 16:9 TV set, I'll always watch it in 4:3 the way it was meant to be. Even if it's 'pillarboxed' it's better than watching it in 'stretchyvision'.!
Even worse is having 4:3 content zoomed and cropped to fill a 16:9 screen. Congrats on the score!
This is a VERY cool project! I'm afraid i have to side with neps, though. As cinematographer, the stretched image made me wince. I think it's great you're also making the 4:3 HD version available. I breezed through the thread pretty quick, so sorry if this has been asked already.
Will you be selling BRs? You mentioned torrents somewhere in the thread. I wasn't clear on exactly how this would be available. I know personally, i would totally be up for buying a BR copy. I'm not sure if you're familiar with the 1960s oddball indie film 'manos: the hands of fate', but a film nut recently found an original workprint and has been restoring it for an eventual BR release. VERY similar to what you're doing.
I would love to hear more about how you came across a 35mm print of the movie! Is this the original master print? I can't imagine there are many 35 prints of KR2000 floating around out there. COOL SCORE!!!! Taoworm2323 wrote:I recently got the chance to acquire a non telecine 35mm film copy of Knight Rider 2000! I have access to very high end professional hardware & software to update the footage into 16:9 Blu Ray HD format. Here are some comparisons screen captures: Original 1991 NBC on air quality (video telecine) Original 35mm film HD transfer and color adjustment (Notice the film grain) Film grain removed and cleaned Details in film density brought out of the blacks Final 16:9 aspect ratio conversion for HD TVs and final color correction Final density correction I'll post a video later today to compare the original vs my new blu ray version.
Original Blu Ray Original Blu Ray Original Blu Ray Original 4:3 format telecine Blu Ray 16:9 format Original 4:3 format telecine Blu Ray 16:9 format Original 4:3 format telecine Blu Ray 16:9 format Can You Maybe Repost It On a Non-youtube site? Please So That My HD Knight Rider Set is Complete PLEASE. Descargar libro semiologia medica argente alvarez pdf gratis.
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Stuart K (fr) wrote: Directed by Jim Gillespie (D-Tox (2002) and Venom (2005)) and written by Kevin Williamson (Scream (1996) and The Faculty (1998)), adapted from the 1973 slasher novel by Lois Duncan. This slasher film adds nothing new to the well worn sub-genre, but this one has some good moments and a few good scares along the way, plus it helped make stars out of it's young cast for a time. High school seniors Julie (Jennifer Love Hewitt), her boyfriend Ray (Freddie Prinze, Jr.), Julie's best friend Helen (Sarah Michelle Gellar), and her boyfriend Barry (Ryan Phillippe) who celebrate by going to the local beach to party.
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On the way back, they accidentally hit a stranger with their car, they're all scared that the local police won't believe what happened, especially as they're all drunk. So, they decide to dump the body in the ocean, and never talk about it again. However, a year later, they start getting letters saying 'I Know What You Did Last Summer', and they suspect one of them talked, but when the body count starts, the fear builds up.
It's actually a good film, it's not perfect, but it does have it's moments, and it manages to build up a dark atmosphere and hold it throughout the film. It was made for a pittance, but it was a box-office success and spawned an immediate sequel, imaginatively titled I Still Know What You Did Last Summer (1998).